Shell Station, Westcliffe, CO, watercolor, 12×9″, copyrighted with all rights reserved by Jean Krueger
Painted en plein aire with the doors open to the cold wet night, this was entered in the Sangres Art Guild Alla Prima Westcliffe competition in September 2019. It was painted as I was hunkered down in my car with the door open. Plein aire is not my favorite way to paint a nocturne. It can be a real challenge, not that I’m not up for challenges. It’s a skill to be acquired through practice, lots of practice
Colorado skies are some of the most punchy that I’ve ever witnessed. Light streams in through breaks in the thunderheads that dump momentary showers like clockwork during the monsoon season of July and August. The light can be bright and dark all at the same time. Wide vistas of the mountainous panorama can display a full range of meteorological conditions simultaneously.
Chicago,watercolor, 6×8″, 2019, copyrighted with all rights reserved by Jean Krueger
We were in Chicago the weekend after Thanksgiving, stayed a couple nights on Michigan Ave. Perfect fall/winter weather, wet and cool but not windy. Spent the day at the Art Institute, dinner at Berghoff’s. And walking, lovely lights and reflections. I love Chicago, wish I had a good reason to live there.
I-87 North, gouache, 9×12″, 2019 copyrighted with all rights reserved by Jean KrugerI-87 South, gouache, 9×12″, 2019 copyrighted with all rights reserved by Jean Kruger
I-87 North is the road to Canada. I-87 South is the road to New York City. It’s mid-autumn in Upstate New York and mornings are frosty clean crisp. The daylight filters through the deciduous evergreen mix of forest, atmosphere thickening as the layer of mountains recedes.
Brush Creek Fence, watercolor, 8×6″, 2019 copyrighted with all rights reserved by Jean Krueger
Looking north in the late afternoon sun the fence posts march into the autumn pasture bleached by summer sun now departed. This is painted using three colors, alizarin crimson , yellow ochre and ultramarine. These pigments are then mixed to create the other colors of the painting. John Singer Sargent, American painter, used this color pallet to great effect.