CR 119 Looking Northeast, $1110USD, Casein, 16×20″, 2021.
https://www.dailypaintworks.com/buy/auction/1219127
Cold front meets warm front. Looks like rain.

CR 119 Looking Northeast, $1110USD, Casein, 16×20″, 2021.
https://www.dailypaintworks.com/buy/auction/1219127
Cold front meets warm front. Looks like rain.

CR-119, Westcliffe, CO” – $50 USD
Micron Pen on Bristol – 12×9 in
There’s so may forms of ink painting and drawing. I think drawing is more tedious than painting and that painting is more fluid (literally) than drawing. Micron pens are good for building layers and tones. Unlike brushes, the points wear and the ink supply runs out…I have a couple sets of Micron pens in the mail. I’ll be trying to complete the iNKTOBER project. #inktober2020
https://www.dailypaintworks.com/fineart/jean-krueger/cr-119-westtcliffe-co/833225

Looking North, monsoon day.

Painted en plein aire, this painting was awarded 3rd Prize at the Sangres art Guild’s Alla Prima Westcliffe competition in Setptember 2019
https://www.dailypaintworks.com/fineart/jean-krueger/cottonwood-creek-westcliffe-colorado/788555

Painted en plein aire with the doors open to the cold wet night, this was entered in the Sangres Art Guild Alla Prima Westcliffe competition in September 2019. It was painted as I was hunkered down in my car with the door open. Plein aire is not my favorite way to paint a nocturne. It can be a real challenge, not that I’m not up for challenges. It’s a skill to be acquired through practice, lots of practice
https://www.dailypaintworks.com/fineart/jean-krueger/shell-station-westcliffe-co/788568

Looking North.

Victor alla Prima, sold.
Butter and Eggs was painted on site in Victor, CO. It’s a snap-drangonish perennial that stands 18-24″ and seems to love poor soil. It is delicat and detailed.
https://www.dailypaintworks.com/fineart/jean-krueger/butter-and-eggs/778422

Late in the day, western light, the leaves will plummet to earth in 48 hous.

Looking north in the late afternoon sun the fence posts march into the autumn pasture bleached by summer sun now departed. This is painted using three colors, alizarin crimson , yellow ochre and ultramarine. These pigments are then mixed to create the other colors of the painting. John Singer Sargent, American painter, used this color pallet to great effect.

Looking south, the broadside of barns, bright sun flushes the knolls and ruts, the Sunday afternoon slips by.

Painted at a Plein Aire event, Victor, CO.
https://www.dailypaintworks.com/fineart/jean-krueger/laundry/760060

There’s been a lot of rain this summer, the farmers have mowed a couple times already. Late in the afternoon, sometimes towards evening, the clouds gather along the mountain ridge. When they hit the tops of the mountains they just dump all the moisture they hold. The sun shines through the veil of water and is quite lovely.

Summer time recreation includes camping. This site is in the Sangre de Cristo Mountains and it’s a National Parks Facility. Come visit someday, the natural beauty is stunning.
Bee and Cactus, 2018, watercolor, 8×6″, copyrighted with all rights reserved by Jean Krueger
BZZZZZ.
$25. USD
https://www.dailypaintworks.com/fineart/jean-krueger/bee-and-cactus/709671
Rangler, gouache, 9×12″, 2018, copyrighted with all rights reserved by Jean Krueger
Not his first rodeo.
https://www.dailypaintworks.com/buy/auction/902191
Prairie Coneflower – Ratibida columnifera – by Jean Krueger, watercolor, copyrighted with all rights reserved, 2018 .
These prairie cone flowers are easing their way into autumn, missing a few of their 4-12 petals, a little bent at the stems with leaves starting to turn ruddy. The cones are typically longer than the petals. They like it dry and hot and they self-seed. The leaves and stems are said to be analgesic, good for head and bellyaches. Decoctions are used to treat poison ivy and rattlesnake bites. Handy, eh?
I found these growing in Westcliffe, CO.
Ponderosa Twig, watercolor, 6×4′, 2018, copyrighted with all rights reserved by Jean Krueger
One of my favorite topics, the intricate pine cone. It spirals from top to bottom in predictable 12 to 14 spirals, each leaf hiding a seed that will eventually blow away. I love them.
https://www.dailypaintworks.com/buy/auction/890907
Wild Rose in Autumn, oil on board, 4×6″, copyrighted with all rights reserved by Jean Krueger
Wild roses in the autumn move from the pink and green of spring and summer to the crimson an yellow leaves of fall. I painted this with leftover paint from a larger work in order not to waste the leftover pigments. The image of the leaves, stems and surrounding ground litter was made by removing paint tith a rubber sculpting tool.
Elevation 11,400 ft.,oil on canvas, 16×12″, 2018, copyrighted with all rights reserved by Jean Krueger
It’s late, late summer and I can still hike the eastern foothills of the Rockies. The weather has bee wonderful, warm and all clear cobalt skies. The grasses that thrive at timberline are yellow ochre and white, the evergreens remain their consistent mix of cadmium light, ultramarine with burnt umber. I’m amazed at the colors one can mix from 6 or 7 tubes.
Plein Air Study, oil on board, 6×4″, 2018, copyrighted with all rights reserved by Jean Krueger
I’m scoping out places to paint next week during the Wesctcliffe, CO, Alla Prima Plein Air event, that starts 9/24/ Still time to register! https://www.sangresartguild.org/3rd-street-gallery/calls-to-artists/alla-prima-westcliffe-2018/