
Backlit mountains as the sun sets on Phantom Ranch, looking down Hermit Road.

Backlit mountains as the sun sets on Phantom Ranch, looking down Hermit Road.

Looking North.

Hearts congregate in large numbers, murders these groups are called.

Hearts head home after spending the day in the valley. They’ll fly back tomorrow.

Victor, Colorado, is the site of many mines, operational and abandoned. For those mines which no longer operate, the architecture that supported them still towers throughout the town’s landscape, a built presence that defines what Victor is, a place locked the memory of a different era and lifestyle It’s eerie, sort of magnificent and very interesting.
Victor Plein Aire 2019, Sold.
https://www.dailypaintworks.com/fineart/jean-krueger/victor-mines/778423

It snowed all day and at high noon the sky is leaden and icy. Hearts huddle on the power lines to stay warm. They hear the traffic signals switch and see the cars flow beneath them.

Hearts travel together while migrating, safety in numbers, ya know.
https://www.dailypaintworks.com/buy/auction/1022618

Hearts fly high and in a Vee as they wing northward to the warm summer waters.
https://www.dailypaintworks.com/buy/auction/1022619
Paints are 4×6″ watercolor on 140# HP watercolor paper, 2019, copyrighted with all rights reserved by Jean Krueger.

We were in Chicago the weekend after Thanksgiving, stayed a couple nights on Michigan Ave. Perfect fall/winter weather, wet and cool but not windy. Spent the day at the Art Institute, dinner at Berghoff’s. And walking, lovely lights and reflections. I love Chicago, wish I had a good reason to live there.

At dusk, hearts fly home to roost with their flocks.

https://www.dailypaintworks.com/fineart/jean-krueger/hearts-on-the-line-2019/775393


I-87 North is the road to Canada. I-87 South is the road to New York City. It’s mid-autumn in Upstate New York and mornings are frosty clean crisp. The daylight filters through the deciduous evergreen mix of forest, atmosphere thickening as the layer of mountains recedes.
https://www.dailypaintworks.com/fineart/jean-krueger/i-87-north/772635
https://www.dailypaintworks.com/fineart/jean-krueger/i-87south/772637

Still loving gouache, the flatness of the colors.

It’s October in Arizona and the Mexican Bird of Paradise is in one of its full blooms. The shrub flowers several time during a single year and is always showy and dramatic with its red/orange blossoms and its complimentary blue/turquoise foliage. The frilly detail of this plant is captivating to the eye. it’s always visually in motion, compositionally dynamic… just another reason to love the American southwest.

Late in the day, western light, the leaves will plummet to earth in 48 hous.

Looking north in the late afternoon sun the fence posts march into the autumn pasture bleached by summer sun now departed. This is painted using three colors, alizarin crimson , yellow ochre and ultramarine. These pigments are then mixed to create the other colors of the painting. John Singer Sargent, American painter, used this color pallet to great effect.

This little sketch is painted while looking west from our front porch. The spruce trees and low junipers are backlit by filtered sun through tall ponderosa pines.

Our cabin is backstopped by the foothills of the Sangre de Cristo mountain range. I have to look up at a really steep angle to see the sky. When I look straight out from the front porch all I see in ascending earth covered with trees and brush….pretty nice.

Looking south, the broadside of barns, bright sun flushes the knolls and ruts, the Sunday afternoon slips by.

Looking southeast, the barns, the fences, the hills and mountains beyond glow in the mid morning sun. The horses are out to pasture.